SUMMARY STATEMENT OF SIGNIFICANCE
Blithewold, in Bristol, Rhode Island, is nationally significant in American history as one of the most fully developed, best-documented and intact examples of the Country Place era in the United States, and for its high artistic value in representing the influence of the Arts and Crafts movement on domestic design in this country. A fusion of architecture, landscape architecture, horticulture and decorative arts, Blithewold is among the few late 19th and early 20th century New England estates that retain their integrity and authenticity down to the details of plant materials and interior furnishings, family archives and artifacts. A particularly sensitive response to its idyllic setting on the Rhode Island coast, it offers a rich interplay of dramatic waterfront setting, designed landscape spaces and varied buildings and structures that integrate extant vernacular features with a range of new design choices.
Several characteristics distinguish Blithewold from other coastal estates of the period in the Northeastern United States, and mark its importance as a national prototype:
Blithewold chronicles the remarkable lives of two generations of a prominent yet socially unpretentious American family. Augustus and Bessie Van Wickle purchased the property in Bristol in 1894, drawn to its location because of the advantage it offered for mooring their new steam yacht, The Marjorie, acquired from the renowned Rhode Island boat builder, Nathanael Herreshoff. The Van Wickles consciously rejected establishing themselves in the nearby, more fashionable Newport, joining contemporaries who created enclaves along the western and eastern shores of Narragansett Bay, from Westerly to Little Compton.
From significant wealth accrued in the late 19th century, the Van Wickles, and later the McKee family and Marjorie Lyon, created a rural retreat on Narragansett Bay that illustrated their distinctive tastes and widely-ranging interests. Despite often-strong individual personalities, members of the family nevertheless esteemed in common the values of informality, friends, outdoor pursuits, and community service rather than status or ostentation. These they expressed at Blithewold, adapting in creative and idiosyncratic ways both European and American conventions in architecture, garden design, and interior furnishing.
Saturday, March 28
Bristol Parks and Recreation Town Easter Egg Hunt
Saturday, March 28
Children's Easter Bunny Tea
Tuesday, March 31
- Sunday, April 26
Friday, April 03
- Friday, April 24
Daffodils at Dusk
Saturday, April 11
Newport Flower Show Events: Horticulture Workshop: Preserving America's Beauty
Sunday, April 12
A Jazz Celebration of Spring
(Feb 27, '15)
Even though it feels like winter has stalled over New England and we might never see the ground again, we are moving ahead towards spring. Our engines are revving and we’ll be ready to hit the ground running at the first sign of thaw. We’re sowing seeds, taking cuttings, and keeping up with the insect activity in the greenhouse […]
(Feb 20, '15)
It’s awfully hard to feel optimistic about spring when the snow is knee-deep and deeper and the temperatures are in the single digits. It feels for all the world like winter will go on forever. This is what our world looks like right now… Beautiful, yes… But I think most of us are ready to move on. […]
(Feb 06, '15)
Last week’s blizzard seem to open the gate to a real winter complete with snow storm after snow storm, and hard-core cold. We’re being tested on our ability to stay upright on icy patches, and on keeping our cool when we can’t get where we’re going on time. But we’re also being reminded about what we love about […]